The Vienna Summer - Intensive Music Performance: For Vocalists and Collaborative Pianists Program will no longer be offered after Summer 2015.
We invite you to consider these alternative Music programs.
Vienna Summer - Music History & Performance
Amsterdam Direct Enrollment - Conservatorium van Amsterdam
Milan - Music: Tradition & Innovation
Vienna - Music
Developed for serious vocalists and collaborative pianists, the Intensive Music Performance Program allows you to spend three weeks improving your performance skills while living in the historic city of Vienna. The purpose of your time abroad and the primary goal of the program is to approach performance from multiple perspectives: technique, interpretation, expression, language, and style.
As part of the program, you receive music instruction and dramatic interpretation coaching in individual lessons and small groups. Singers focus on vocal technique, stage presence, and artistry through the study of song and operatic repertoire. Collaborative pianists enhance their coaching skills and expand their knowledge of art song and operatic repertoire.
After you are admitted, refer to the Travel Dates section of the Predeparture Information in your MyIESabroad account before booking travel.
Our mission is simple: to provide you with the best study abroad program possible—which includes the highest quality academic and cultural experiences.
We offer unique courses that explore Music Performance through an in-depth and hands-on approach. Enhance and integrate your technical and interpretive skills through daily lessons, coachings, and language study with our distinguished faculty. Work toward finding the unique balance that defines you as an artist. Finally, immerse yourself in the unique cultural experience that is Vienna!
You enroll in a required set of courses for a total of 5 credit hours.
For vocalists (24 contact hours)
For pianists (24 contact hours)
Additionally, for all students (50 contact hours)
Michael Pinkerton, internationally recognized educator, producer, artistic administrator, stage director, and performer, is head of the voice and opera department at the Konservatorium Wien Universität in Vienna, Austria. At the end of December 2009, Michael Pinkerton retired from his position as Artistic Director of Vereinigte Bühnen Wien – a company consisting of three historic theaters – Theater an der Wien, Raimund, and Ronacher. Pinkerton’s involvement with Vereinigte Bühnen Wien dates back to 1989, when he assumed the leadership for Theater an der Wien’s apprentice program. In 1994 he became head of Artistic Production supervising productions of Elisabeth, Grease, Fiddler on the Roof, the European premiere of Disney’s Beauty and the Beast, and preparation for Roman Polanski’s Dance of the Vampires. From 1997 until 2002, Michael Pinkerton was Artistic Director of the German musical theater company, Stella Entertainment. In this capacity he supervised numerous productions including Cats, Joseph and the Amazing Technicolor Dreamcoat, Starlight Express, Phantom of the Opera, Miss Saigon, Les Misérables, Beauty and the Beast, and Dance of the Vampires. Before his work as a stage director and producer, Michael Pinkerton enjoyed a distinguished career as a singer and actor. He was a frequent soloist with the Wiener Kammeroper and the Stuttgarter Staatsoper. As a modern music specialist, he performed in several world premieres with international festivals in Vienna, Munich, Berlin, and Arezzo. Various educational projects have included initiating and directing the Musical Theater Workshop for the International Youth Festival in Bayreuth, Germany, directing opera performances for the Fairbanks Summer Arts Festival in Alaska, master classes for the FESNOJIV Vocal Academy in Caracas, Venezuela, and numerous master classes throughout Europe and the United States.
Dr. Carolyn Hague has been living in Vienna, Austria for the past thirty years. Ms. Hague heads the Master’s program in Lied und Oratorium for singers and pianists at the Konservatorium Wien Privatuniversität. She also teaches chamber music and piano at the Institute for European Studies in Vienna. Previously to her appointment at the Konservatorium in 2001, she was a faculty member of the Wiener Universität für Musik und darstellende Kunst for thirteen years. She served as a vocal coach and as the pianist and assistant to Kammersänger Walter Berry. After Berry’s retirement, she became the pianist/assistant to Kammersänger Robert Holl. Dr. Hague was the principal coach of the Wiener Kammeroper from 1984 to 1987. During this time she also served as pianist and coordinator of all the pianists for the Belvedere International Competition for Opera Singers. Her summer teaching and performing activities have included the Internationales Jugendfestspieltreffen in Bayreuth, the Fairbanks Summer Arts Festival, and the German for Singers and Vocal Coaches program at Middlebury College. Dr. Hague is a frequent guest artist for Austrian National Radio and Television as well as numerous venues in Europe and the U.S. Her recital partner included distinguished artists such as Ks. Walter Berry, Ks. Angelika Kirchschlager, Ks. Birgid Steinberger, Ruxandra Donose, Linda Watson, Florian Boesch, Mathias Hausmann, Peter Matzka, and Rene Staar.
Baritone Dr. Robert Barefield has performed as soloist with organizations throughout the United States and in Europe, including the New Orleans Opera, the Mississippi Symphony, the Arizona Opera, the Dorian Opera Theatre, the Central City Opera, the Ohio Light Opera, and Operafestival di Roma in Italy. Operatic roles have included Don Giovanni, Danilo in The Merry Widow, Figaro in Il Barbiere di Siviglia, Sid in Albert Herring, Eisenstein in Die Fledermaus, the title role in Gianni Schicchi, and John Proctor in Robert Ward’s The Crucible. As an oratorio soloist, Barefield’s performances have included Carmina Burana, the Fauré Requiem, The Sea Symphony, and Dona Nobis Pacem of Vaughan Williams and Handel’s Messiah. An accomplished recitalist, Robert Barefield’s wide-ranging repertoire has encompassed works such as Schubert’s Winterreise and Die Schöne Müllerin, Vaughan Williams’ Songs of Travel and premiere performances of works by contemporary composers such as Simon Sargon, Lowell Liebermann, Robert Maggio, and David Conte. Dr. Robert Barefield serves on the vocal faculty of the Hartt School, the performing arts conservatory of the University of Hartford.
Course syllabus: MS 480 Approaching Musical Performance from Multiple Perspectives
IES Abroad Vienna organizes course-related excursions that complement what you’re learning in the classroom, and contribute to your general knowledge of Austrian culture and society.
You also have the opportunity to attend guest lectures by professional musicians.
We want to make sure that your greatest challenge is deciding which landmarks to see first or discovering the best café—not finding a place to live where you feel comfortable. We do our best to locate housing that is reflective of how the local students are living. Our goal is that when you leave Vienna, it will feel like home.
You live in an apartment that typically accommodates four to five students. Apartments have Internet access and fully equipped kitchen facilities. Meals are not included in the program fee.
Part of making you feel at home in Vienna is doing our best to help you feel safe and cared for. Whether it’s the orientation program that prepares you for what’s ahead, your housing that is well-located and comfortable, or the field trips that take you to places off the beaten path—we’re all about our student services. This is just one of the things we’re known for.
After arrival in Vienna, you participate in an orientation program which introduces you to the city of Vienna, the IES Abroad program, and student life in the city. During the first few days, you settle into your housing, take care of formalities, receive briefings on safety and security, and tour Vienna and the surrounding area.
A day trip and possibly other excursions throughout Vienna bring you to sites that figure prominently in the lives and works of featured composers. In addition, you have the opportunity to attend guest lectures by professional musicians.
About the Center
Also known as the Palais Corbelli, the IES Abroad Vienna Center is an elegant 18th century palace in the heart of the city and is just minutes from many of the museums, theaters, and other major cultural attractions that have bestowed international fame on Vienna.
An international scholar, Dr. Solvik holds a Ph.D. in Musicology from the University of Pennsylvania and a B.A. in Music and Intellectual History from Cornell University. Born in Norway, he speaks Norwegian, German, and English fluently, and uses French as a research language.
Dr. Solvik was instrumental in setting up the IES Abroad Vienna Music Program, which he has coordinated since 1999, and has also designed and taught numerous courses in Music History. In addition to his work with IES Abroad Vienna, Dr. Solvik has served as lecturer at the Universität für Musik und darstellende Kunst (The University for Music and Performing Arts). His teaching and administrative experience is augmented by his active and productive scholarly career as an expert on Gustav Mahler.
IES Abroad Vienna Staff
Kendall Burgess, M.A.Academic Registrar / Assistant to the Center Director
Kaja CiupinskaInstitutional Relations and Events Coordinator
Helmut SummesbergerManager of Student Affairs and Facilities
Meral KölblingerStudent Health & Safety Coordinator / Student Affairs
Mathias SchmerbachAccounting and Finance Manager
Tobias SigmundStudent Housing Coordinator / Student Affairs
Dieter StroblFacilities Coordinator / Library Services
IES Abroad Vienna Faculty
Gabriele AmonStudio Art
Mag. Art, University for Applied Arts in Vienna; Univ.-Lekt. University of Applied Arts, Institute for Art and Technology – dept. of Textile
Ulrike AntonMusic History
1er Prix—Degré Superieur (Conservatoire Hector Berlioz, Paris); Professional Performance Diploma (Royal Northern College of Music, Manchester); Master of Music (University of Manchester); Ph.D in musicology (University of Vienna/University of Music and Performing Arts, Vienna); International concert flutist
Robert BarefieldIntensive Music Performance ProgramHartt School of Music
Roswitha BeneschArt History
Doctor philosophiae, Lektorin Universität für Musik und darstellende Kunst Wien
Deirdre BrennerMusic Performance
BA, Dartmouth College (USA); MMus, Royal Academy of Music (London, UK); Master's in Lied and Oratorio, Konservatorium Wien Privatuniversitaet (Vienna, Austria)
Bianca CalinescuMusic Performance
Diploma in Piano Performance, University of Music and Performing Arts, Vienna
Ciarán Cassidy Finance, EconomicsPh.D., University of Manchester (UK); Professor and Finance Dept. Head, University of Applied Sciences, Wiener Neustadt, Austria
Peter FischerInternational Law
Dr.juris Vienna University Dr.juris honoris causa Bratislava University Professor emeritus Vienna University Professor Bratislava School of Law
Tibor FrankHistory, Cultural History
MA, DrUniv, PhD, DLitt
Corr. Member of the Hungarian Academy of Sciences, Professor of History
Eötvös Loránd University, Budapest, Hungary
Michele FriedmanMusic Performance
B.M., M.M., California State University; Lehrauftragte—Universität Mozarteum Salzburg; Lehrauftragte—Universität für Musik und darstellende Kunst; Lehrende—Konservatorium Wien Privatuniversität
Dietmar FrieseneggerMusic HistoryMA; Ph.D Candidate, Cornell University
Peter GerlichPolitical Science
Doctor rerum politicarum, Master of Arts, Ordentlicher Professor, Institut für Politikwissenschaft, Universität Wien
Barbara GorzynskaMusic Performance
M.A. in Music Performance (violin), Academy of Music in Lodz, Poland; Adjunct, Academy of Music in Lodz; Visiting Professor, University for Music and Performing Arts in Graz
Gerold GruberMusic Theory
PhD Musicology, University of Vienna; Univ. Doz., a.o. Univ. Prof. Musicology at the Institute for Analysis, Theory and History of Music at the University of Music and Performing Arts Vienna
Carolyn HagueMusic Performance
BM, Stetson University; MM, University of Louisville; DMA, University of Maryland at College Park; Lehrende—Konservatorium Wien Privatuniversität
Günter HaikaLiterature, Culture and Gender Studies
Mag. phil., Professor University of Vienna; Wake Forest University Vienna Program
Doctor rerum oeconomia, Dozent, Wirtschaftsuniversität Wien, Karl-Franzens Universität Graz und Universität Innsbruck
Antonia HanreichHistory, Cultural History
Doctor philosophiae, University of Vienna
Freiberufliche Vortragende der
Ph.D., Doctor de Letteren (Leuven, 1996); professzor, Eötvös Loránd Tudományegyetem, Budapest, Hungary
Miguel Kertsman Music ProductionBM – Music Production & Engineering/Composition, Berklee College of Music, Boston; Program Director, Master’s of Arts Program in Music for Film and Media, Danube University, Austria.
Doerte KuhlmannArt History, ArchitecturePh.D., Bauhaus University in Weimar; professor of Architecture Theory, Gender Studies and design, Institute of Architectural Sciences,Vienna University of Technology
Erik LeidalMusic History
B.M. in Music History, B.A. in English Literature, Rice University; M.A. in Musicology, University of North Carolina at Chapel Hill; independent international performer
William McElheneyMusic PerformanceIndiana University (Bloomington); diploma in Trombone Performance from the University of Music and Performing Arts, Vienna; Vienna Philharmonic
Graduate of Bryn Mawr College in Music and Political Science and a doctoral candidate at the University of Vienna in Contemporary History, Editor in Chief of the English-language monthly, The Vienna Review
Mag., Universität Wien
Wolfgang MoelzerBusiness, Management
Ph.D, University of Economics and Business Administration; Managing Partner of BKB Management
John MoraitisMusic History
Ph.D. in Musicology, University of Wisconsin-Madison; MA in Musicology, University of Georgia
Ph.D. in Literatures in English at Rutgers UniversityLecturer at the Institute for Art Theory and Media Studies at Eötvös Loránd University
Beatrice OttersböckArt History
Doctor of Philosophy, University of Pittsburgh
Freiberufliche Vortragende der Kunstgeschichte
Ph.D, University of Illinois, Champaign-Urbana; Sprachtrainerin
Michael PinkertonIntensive Music Performance ProgramKonservatorium Wien Privatuniversität
MSc, MA, University of Vienna; Lecturer for German Language, University of York, Psychologist, Vienna grammar school teacher
Gabriele ProyMusic Composition
Vienna University of Music and Performing Arts
Lisa ReganArt HistoryPh.D University of Calfornia Berkeley, Instructor at UC Berkely and Lecturer at UC Santa Cruz
Rosa ReitsamerSociologyPh.D University of Applied Arts—Vienna, Lecturer and Researcher in the Department of Music Sociology at the University of Performing Arts—Vienna
Tamás RétiEconomicsKözgazdasági és Piackutató Intézet (Kopint-Datorg), Budapest, Hungary
Heidi RoesslerStudent Teaching Internship Coordinator
Magistra philosophiae, University of Vienna
Lehrerin, Bundesgymnasium Wien XIX
Anna RonaiMusic Performance
MA, University of Music and Performing Arts, Vienna
Russell RyanMusic PerformanceDMA, University of Music and Performing Arts, Vienna; Professor of Collaborative Piano, Arizona State University
Margarete SchachermeierGerman, Cultural HistoryAkademisches Übersetzerdiplom, University of ViennaSprachtrainerin
Nadja SchmidtPolitical Science, Interdisciplinary European Studies
Mag., University of Vienna, Mag. College of Europe in Natolin/Poland; Phd student and lecturer, Political Science, University of Vienna
Miyuki SchuesslerMusic Performance
Kunitachi College of Music (Tokyo); diploma in Piano Performance from the University of Music and Performing Arts, Vienna; Lehrende – Konservatorium Wien Privatuniversität
Martin SchwarzBusiness Internship Coordinator
Master of Art, University of Southern California-Los Angeles; Direktor
Martin Schwarz G.m.b.H.
Mag., University of Vienna; Sprachtrainerin
Dip, University of Vienna
Morten SolvikMusic History
Doctor of Philosophy, University of Pennsylvania,
IES Abroad Vienna Center Director
Magister Phil, University of Vienna
Agnes StillfriedArt HistoryMA, art history, University of Vienna
Reinhold StipsitsPsychologyPh.D. Dr.phil. ao. Professor; Institut für Bildungswissenschaft (Dept. of Education); University of Vienna
Doctor philosophiae, University of Vienna
PhD in German philology from the University of Vienna
Magister Philosophiae and Ph.D. in History, Universität Wien
Natalia WächterSociology, Anthropology, Political Science
Dr. phil., Mag. rer.soc.oec, University of Vienna; senior researcher at the Institute for Advanced Studies, Vienna
MSc, University of Vienna Lecturer, University of Vienna and Medical University of Vienna