Home > Vienna Summer - Intensive Music Performance: For Vocalists and Collaborative Pianists
Vienna Summer - Intensive Music Performance: For Vocalists and Collaborative Pianists
Vertical Tabs
These dates are preliminary and are subject to change. Students should not book flights according to these dates.
Our mission is simple: to provide you with the best study abroad program possible—which includes the highest quality academic and cultural experiences.
We offer unique courses that explore Music Performance through an in-depth and hands-on approach. Enhance and integrate your technical and interpretive skills through daily lessons, coachings, and language study with our distinguished faculty. Work toward finding the unique balance that defines you as an artist. Finally, immerse yourself in the unique cultural experience that is Vienna!
You enroll in a required set of courses for a total of 5 to 6 credit hours.
Program Content
For vocalists (21 contact hours)
3 individual voice lessons – 3 contact hours
3 individual musical/stylistic coachings (interpreting different composers and musical eras) – 3 contact hours
3 small group coachings (5 students or less) to perform in front of an audience and analyze each other’s work – 6 contact hours
3 small group dramatic sessions (5 students or less) – 6 contact hours
For pianists (30 contact hours)
6 individual coachings – 6 contact hours
6 small group coachings with vocalists – 12 contact hours
3 small group accompanying lessons with vocalists – 6 contact hours
3 small group accompanying dramatic coaching with vocalists – 6 contact hours
Additionally, for all students (42 contact hours)
12 sessions of Rehearsal German for Singers and Pianists: A Practical Survey of Vocabulary and Idiomatic Expressions Used During Rehearsals – 16 contact hours
6 German diction sessions (2-3 students) – 4 contact hours
6 extended team-taught performance classes with the goal of approaching performance from multiple perspectives: technique, interpretation, expression, language and style – 18 contact hours
3 lectures (Mahler in Vienna, Auditioning in German-speaking countries, and The perception of the Vocal Coach: A Conflict of Expectations?) – 4 contact hours
Concert at the end of the program
Faculty
Michael Pinkerton, internationally recognized educator, producer, artistic administrator, stage director, and performer, is head of the voice and opera department at the Konservatorium Wien Universität in Vienna, Austria. At the end of December 2009, Michael Pinkerton retired from his position as Artistic Director of Vereinigte Bühnen Wien – a company consisting of three historic theaters – Theater an der Wien, Raimund, and Ronacher. Pinkerton’s involvement with Vereinigte Bühnen Wien dates back to 1989, when he assumed the leadership for Theater an der Wien’s apprentice program. In 1994 he became head of Artistic Production supervising productions of Elisabeth, Grease, Fiddler on the Roof, the European premiere of Disney’s Beauty and the Beast, and preparation for Roman Polanski’s Dance of the Vampires. From 1997 until 2002, Michael Pinkerton was Artistic Director of the German musical theater company, Stella Entertainment. In this capacity he supervised numerous productions including Cats, Joseph and the Amazing Technicolor Dreamcoat, Starlight Express, Phantom of the Opera, Miss Saigon, Les Misérables, Beauty and the Beast, and Dance of the Vampires. Before his work as a stage director and producer, Michael Pinkerton enjoyed a distinguished career as a singer and actor. He was a frequent soloist with the Wiener Kammeroper and the Stuttgarter Staatsoper. As a modern music specialist, he performed in several world premieres with international festivals in Vienna, Munich, Berlin, and Arezzo. Various educational projects have included initiating and directing the Musical Theater Workshop for the International Youth Festival in Bayreuth, Germany, directing opera performances for the Fairbanks Summer Arts Festival in Alaska, master classes for the FESNOJIV Vocal Academy in Caracas, Venezuela, and numerous master classes throughout Europe and the United States.
Dr. Carolyn Hague has been living in Vienna, Austria for the past thirty years. Ms. Hague heads the Master’s program in Lied und Oratorium for singers and pianists at the Konservatorium Wien Privatuniversität. She also teaches chamber music and piano at the Institute for European Studies in Vienna. Previously to her appointment at the Konservatorium in 2001, she was a faculty member of the Wiener Universität für Musik und darstellende Kunst for thirteen years. She served as a vocal coach and as the pianist and assistant to Kammersänger Walter Berry. After Berry’s retirement, she became the pianist/assistant to Kammersänger Robert Holl. Dr. Hague was the principal coach of the Wiener Kammeroper from 1984 to 1987. During this time she also served as pianist and coordinator of all the pianists for the Belvedere International Competition for Opera Singers. Her summer teaching and performing activities have included the Internationales Jugendfestspieltreffen in Bayreuth, the Fairbanks Summer Arts Festival, and the German for Singers and Vocal Coaches program at Middlebury College. Dr. Hague is a frequent guest artist for Austrian National Radio and Television as well as numerous venues in Europe and the U.S. Her recital partner included distinguished artists such as Ks. Walter Berry, Ks. Angelika Kirchschlager, Ks. Birgid Steinberger, Ruxandra Donose, Linda Watson, Florian Boesch, Mathias Hausmann, Peter Matzka, and Rene Staar.
Baritone Dr. Robert Barefield has performed as soloist with organizations throughout the United States and in Europe, including the New Orleans Opera, the Mississippi Symphony, the Arizona Opera, the Dorian Opera Theatre, the Central City Opera, the Ohio Light Opera, and Operafestival di Roma in Italy. Operatic roles have included Don Giovanni, Danilo in The Merry Widow, Figaro in Il Barbiere di Siviglia, Sid in Albert Herring, Eisenstein in Die Fledermaus, the title role in Gianni Schicchi, and John Proctor in Robert Ward’s The Crucible. As an oratorio soloist, Barefield’s performances have included Carmina Burana, the Fauré Requiem, The Sea Symphony, and Dona Nobis Pacem of Vaughan Williams and Handel’s Messiah. An accomplished recitalist, Robert Barefield’s wide-ranging repertoire has encompassed works such as Schubert’s Winterreise and Die Schöne Müllerin, Vaughan Williams’ Songs of Travel and premiere performances of works by contemporary composers such as Simon Sargon, Lowell Liebermann, Robert Maggio, and David Conte. Dr. Robert Barefield serves on the vocal faculty of the Hartt School, the performing arts conservatory of the University of Hartford.
Course syllabus coming soon!
IES Abroad Vienna organizes field study trips that complement what you’re learning in the classroom, and contribute to your general knowledge of Austrian culture and society.
You also have the opportunity to attend guest lectures by professional musicians.
Our job is to make sure that your greatest challenge is deciding what landmarks to see first or discovering the best café—not finding a place to live where you feel comfortable. We do our best to locate housing that is reflective of how the local students are living. Our goal is that when you leave Vienna, it will feel like home.
You live in an apartment that typically accommodates four to five students. Apartments have Internet access and fully equipped kitchen facilities. Meals are not included in the program fee.
Part of making you feel at home in Vienna is doing our best to help you feel safe and cared for. Whether it’s the orientation program that prepares you for what’s ahead, your housing that is well-located and comfortable, or the field trips that take you to places off the beaten path—we’re all about our student services. This is just one of the things we’re known for.
After arrival in Vienna, you participate in an orientation program which introduces you to the city of Vienna, the IES Abroad program, and student life in the city. During the first few days, you settle into your housing, take care of formalities, receive briefings on safety and security, and tour Vienna and the surrounding area.
A weekend field trip, a day trip, and other excursions throughout Vienna bring you to sites that figure prominently in the lives and works of featured composers. In addition, you have the opportunity to attend guest lectures by professional musicians.
Also known as the Palais Corbelli, the IES Abroad Vienna Center is an elegant 18th century palace in the heart of the city and is just minutes from many of the museums, theaters, and other major cultural attractions that have bestowed international fame on Vienna.
Features include:
Classrooms
Practice rooms and instrument storage
Concert hall
Student lounge and small library
Computer lab
High-speed Internet and printer access
Center staff:
Dr. Morten Solvik IES Abroad Vienna Center Director
An international scholar, Dr. Solvik holds a Ph.D. in Musicology from the University of Pennsylvania and a B.A. in Music and Intellectual History from Cornell University. Born in Norway, he speaks Norwegian, German, and English fluently, and uses French as a research language.
Dr. Solvik was instrumental in setting up the IES Abroad Vienna Music Program, which he has coordinated since 1999, and has also designed and taught numerous courses in Music History. In addition to his work with IES Abroad Vienna, Dr. Solvik has served as lecturer at the Universität für Musik und darstellende Kunst (The University for Music and Fine Arts). His teaching and administrative experience is augmented by his active and productive scholarly career as an expert on Gustav Mahler.
IES Abroad Vienna Staff
Kendall Burgess, M.A. Registrar / Assistant to the Center Director
Dr. Kent Canzoneri Manager of Student Affairs and Facilities
Meral Kölblinger Student Health & Safety Coordinator / Student Affairs
Helmut Summesberger Student Housing Coordinator / Student Affairs
IES Abroad Vienna Faculty
Gabriele Amon Studio Art
Mag. Art, University for Applied Arts in Vienna; Univ.-Lekt. University of Applied Arts, Institute for Art and Technology – dept. of Textile
Ulrike Anton Music History
Music Performance
1er Prix - Degré Superieur (Conservatoire Hector Berlioz, Paris) ; Professional Performance Diploma (Royal Northern College of Music, Manchester); Master of Music (University of Manchester); PhD in musicology (University of Vienna/University of Music and Performing Arts, Vienna); International concert flutist
Roswitha Benesch Art History
Doctor philosophiae, Lektorin Universität für Musik und darstellende Kunst Wien
Joelle Bouffa Music Performance
Dilpoma in solo piano, chamber music, and vocal accompaniment at the Convervatoire royal de Liege; Coach for the Institute for Voice and Musical Theater at the University for Music and Performing Arts in Vienna
Deirdre Brenner Music Performance
BA, Dartmouth College (USA); MMus, Royal Academy of Music (London, UK); Master's in Lied and Oratorio, Konservatorium Wien Privatuniversitaet (Vienna, Austria)
Ana Dimova Diploma in piano at the State Music Academy Pantcho Vladigerov (Bulgaria), collaborative pianist in the String, Woodwind, and Percussion Departments of the Vienna Conservatory (Privatuniversität Wien)
Peter Fischer International Law
Dr.juris Vienna University Dr.juris honoris causa Bratislava University Professor emeritus Vienna University Professor Bratislava School of Law
Tibor Frank History, Cultural History
Dr. Univ., a történettudomány kandidátusa az MTA doktora; egyetemi tanár, Eötvös Loránd
Tudományegyetem, Budapest, Hungary
Michele Friedman Music Performance
B.M., M.M., California State University; Lehrauftragte - Universität Mozarteum Salzburg; Lehrauftragte - Universität für Musik und darstellende Kunst ; Lehrende – Konservatorium Wien Privatuniversität
Peter Gerlich Political Science
Doctor rerum politicarum, Master of Arts, Ordentlicher Professor, Institut für Politikwissenschaft, Universität Wien
Barbara Gorzynska Music Performance
M.A. in Music Performance (violin), Academy of Music in Lodz, Poland; Adjunct, Academy of Music in Lodz; Visiting Professor, University for Music and Performing Arts in Graz
Gerold Gruber Music Theory
PhD Musicology, University of Vienna; Univ. Doz., a.o. Univ. Prof. Musicology at the Institute for Analysis, Theory and History of Music at the University of Music and Performing Arts Vienna
Carolyn Hague Music Performance
BM, Stetson University; MM, University of Louisville; DMA, University of Maryland at College Park; Lehrende - Konservatorium Wien Privatuniversität
Günter Haika Literature, Culture and Gender Studies
Mag. phil., Professor University of Vienna; Wake Forest University Vienna Program
Peter Haiss Economics
Doctor rerum oeconomia, Dozent, Wirtschaftsuniversität Wien, Karl-Franzens Universität Graz und Universität Innsbruck
Antonia Hanreich History, Cultural History
Doctor philosophiae, University of Vienna
Freiberufliche Vortragende der
Kulturgeschichte
Monika Johnson-Schönstädt German
Mat., Akademia-Vienna
Sprachtrainerin
Katharina Klettermayer Public Service Internship
Mag., Social and Cultural Anthropology
University of Vienna
Doerte Kuhlmann Art History, Architecture
Ph.D.,Bauhaus University in Weimar; professor of Architecture Theory, Gender Studies and design, Institute of Architectural Sciences,Vienna University of Technology
Géza Kállay Literature
Ph.D., Doctor de Letteren (Leuven, 1996); professzor, Eötvös Loránd Tudományegyetem, Budapest, Hungary
Erik Leidal Music History
B.M. in Music History, B.A. in English Literature, Rice University; M.A. in Musicology, University of North Carolina at Chapel Hill; independent international performer
Tamás Magyarics History
Dr. Univ., Eötvös Loránd Tudományegyetem,
Budapest, Hungary
William McElheney Music Performance
Indiana University (Bloomington); diploma in Trombone Performance from the University of Music and Performing Arts, Vienna; Vienna Philharmonic
Dardis McNamee Journalism
Graduate of Bryn Mawr College in Music and Political Science and a doctoral candidate at the University of Vienna in Contemporary History, Editor in Chief of the English-language monthly, The Vienna Review
Monika Meyer German
Mag., Universität Wien
Sprachtrainerin
Wolfgang Moelzer Business, Management
PhD, University of Economics and Business Administration; Managing Partner of BKB Management
John Moraitis Music History
Ph.D. in Musicology, University of Wisconsin-Madison; MA in Musicology, University of Georgia
Hanspeter Neuhold International Law
Doctor iuris, Ordentlicher Professor, Institut für Völkerrecht, Universität Wien
Beatrice Ottersböck Art History
Doctor of Philosophy, University of Pittsburgh
Freiberufliche Vortragende der Kunstgeschichte
Roman Pfefferle Political Science
PhD, University of Vienna; post-doc researcher and lecturer at the Institute of Government at the University of Vienna
Renate Philapitsch-Aschober German
PhD, University of Illinois, Champaign-Urbana; Sprachtrainerin
Frank Pokorn Psychology
MSc, MA, University of Vienna; Lecturer for German Language,University of York, Psychologist, Vienna grammar school teacher
Pantelis Polychronidis Music Performance
Doctorate of Musical Arts (DMA), University of Michigan, postgraduate work at the University for Music and the Performing Arts in Vienna in Lied Accompaniment and Chamber Music, collaborative pianist, educator and scholar as well as Visiting Scholar at the Modern Greek Program of the University of Michigan
Wolfgang Prohaska Art History
Ph.D. University of Vienna; Curator of Italian, Flemish, French and Spanish Baroque Painting at the Kunsthistorisches Museum Vienna; Position at the University of Fine Arts in the University of Vienna
Heidi Roessler Student Teaching Internship Coordinator
Magistra philosophiae, University of Vienna
Lehrerin, Bundesgymnasium Wien XIX
Tamás Réti Economics
Közgazdasági és Piackutató Intézet (Kopint-Datorg),
Budapest, Hungary
Margarete Schachermeier German, Cultural History
Akademisches Übersetzerdiplom, University of Vienna
Sprachtrainerin
Nadja Schmidt Political Science, Interdisciplinary European Studies
Mag., University of Vienna, Mag. College of Europe in Natolin/Poland; Phd student and lecturer, Political Science, University of Vienna
Miyuki Schuessler Music Performance
Kunitachi College of Music (Tokyo); diploma in Piano Performance from the University of Music and Performing Arts, Vienna; Lehrende – Konservatorium Wien Privatuniversität
Martin Schwarz Business Internship Coordinator
Master of Art, University of Southern California-Los Angeles; Direktor
Martin Schwarz G.m.b.H.
Birgit Schöny German
Mag., University of Vienna; Sprachtrainerin
Andrea Sernett German
Dip, University of Vienna
Sprachtrainerin
Morten Solvik Music History
Doctor of Philosophy, University of Pennsylvania,
Lektor, Universität für Musik und darstellende Kunst Wien
IES Abroad Vienna Center Director
Katalin Orbán Communications
Ph.D. in Literatures in English at Rutgers University
Lecturer at the Institute for Art Theory and Media Studies at Eötvös Loránd University
Reinhold Stipsits Psychology
Doctor philsophiae, Ausserordentlicher Professort, Institut für Erziehungswissenschaft, Universität Wien
Charlotte Summesberger German
Doctor philosophiae, University of Vienna
Sprachtrainerin
Stefan Wedrac History
Magister Philosophiae, Universität Wien
Hemma Stagl German
Magister Phil, University of Vienna
Sprachtrainerin
Natalia Wächter Sociology, Anthropology, Political Science
Dr. phil., Mag. rer.soc.oec, University of Vienna; senior researcher at the Institute for Advanced Studies, Vienna
Evelyn Benesch Art History
PhD University of Vienna, Deputy Director of Bank Austria Kunstforum
Rosa Reitsamer Sociology
PhD University of Applied Arts – Vienna, Lecturer and Researcher in the Department of Music Sociology at the University of Performing Arts - Vienna
Lisa Regan Art History
PhD UC Berkeley, Instructor at UC Berkely and Lecturer at UC Santa Cruz
Reinhold Stipsits Psychology
Doctor philsophiae, Ausserordentlicher Professort, Institut für Erziehungswissenschaft, Universität Wien
Hedwig Wölfl Psychology
MSc, University of Vienna Lecturer, University of Vienna and Medical University of Vienna
Anna Ronai Music Performance
MA, University of Music and Performing Arts, Vienna
Russell Ryan Music Performance
DMA, University of Music and Performing Arts, Vienna; Professor of Collaborative Piano, Arizona State University
Robert Barefield Intensive Music Performance Program
Hartt School of Music
Michael Pinkerton Intensive Music Performance Program
Konservatorium Wien Privatuniversität
Dietmar Friesenegger Music History
MA; PhD Candidate, Cornell University
Vienna Summer - Intensive Music Performance: For Vocalists and Collaborative Pianists
Vertical Tabs
These dates are preliminary and are subject to change. Students should not book flights according to these dates.
Our mission is simple: to provide you with the best study abroad program possible—which includes the highest quality academic and cultural experiences.
We offer unique courses that explore Music Performance through an in-depth and hands-on approach. Enhance and integrate your technical and interpretive skills through daily lessons, coachings, and language study with our distinguished faculty. Work toward finding the unique balance that defines you as an artist. Finally, immerse yourself in the unique cultural experience that is Vienna!
You enroll in a required set of courses for a total of 5 to 6 credit hours.
Program Content
For vocalists (21 contact hours)
For pianists (30 contact hours)
Additionally, for all students (42 contact hours)
Faculty
Michael Pinkerton, internationally recognized educator, producer, artistic administrator, stage director, and performer, is head of the voice and opera department at the Konservatorium Wien Universität in Vienna, Austria. At the end of December 2009, Michael Pinkerton retired from his position as Artistic Director of Vereinigte Bühnen Wien – a company consisting of three historic theaters – Theater an der Wien, Raimund, and Ronacher. Pinkerton’s involvement with Vereinigte Bühnen Wien dates back to 1989, when he assumed the leadership for Theater an der Wien’s apprentice program. In 1994 he became head of Artistic Production supervising productions of Elisabeth, Grease, Fiddler on the Roof, the European premiere of Disney’s Beauty and the Beast, and preparation for Roman Polanski’s Dance of the Vampires. From 1997 until 2002, Michael Pinkerton was Artistic Director of the German musical theater company, Stella Entertainment. In this capacity he supervised numerous productions including Cats, Joseph and the Amazing Technicolor Dreamcoat, Starlight Express, Phantom of the Opera, Miss Saigon, Les Misérables, Beauty and the Beast, and Dance of the Vampires. Before his work as a stage director and producer, Michael Pinkerton enjoyed a distinguished career as a singer and actor. He was a frequent soloist with the Wiener Kammeroper and the Stuttgarter Staatsoper. As a modern music specialist, he performed in several world premieres with international festivals in Vienna, Munich, Berlin, and Arezzo. Various educational projects have included initiating and directing the Musical Theater Workshop for the International Youth Festival in Bayreuth, Germany, directing opera performances for the Fairbanks Summer Arts Festival in Alaska, master classes for the FESNOJIV Vocal Academy in Caracas, Venezuela, and numerous master classes throughout Europe and the United States.
Dr. Carolyn Hague has been living in Vienna, Austria for the past thirty years. Ms. Hague heads the Master’s program in Lied und Oratorium for singers and pianists at the Konservatorium Wien Privatuniversität. She also teaches chamber music and piano at the Institute for European Studies in Vienna. Previously to her appointment at the Konservatorium in 2001, she was a faculty member of the Wiener Universität für Musik und darstellende Kunst for thirteen years. She served as a vocal coach and as the pianist and assistant to Kammersänger Walter Berry. After Berry’s retirement, she became the pianist/assistant to Kammersänger Robert Holl. Dr. Hague was the principal coach of the Wiener Kammeroper from 1984 to 1987. During this time she also served as pianist and coordinator of all the pianists for the Belvedere International Competition for Opera Singers. Her summer teaching and performing activities have included the Internationales Jugendfestspieltreffen in Bayreuth, the Fairbanks Summer Arts Festival, and the German for Singers and Vocal Coaches program at Middlebury College. Dr. Hague is a frequent guest artist for Austrian National Radio and Television as well as numerous venues in Europe and the U.S. Her recital partner included distinguished artists such as Ks. Walter Berry, Ks. Angelika Kirchschlager, Ks. Birgid Steinberger, Ruxandra Donose, Linda Watson, Florian Boesch, Mathias Hausmann, Peter Matzka, and Rene Staar.
Baritone Dr. Robert Barefield has performed as soloist with organizations throughout the United States and in Europe, including the New Orleans Opera, the Mississippi Symphony, the Arizona Opera, the Dorian Opera Theatre, the Central City Opera, the Ohio Light Opera, and Operafestival di Roma in Italy. Operatic roles have included Don Giovanni, Danilo in The Merry Widow, Figaro in Il Barbiere di Siviglia, Sid in Albert Herring, Eisenstein in Die Fledermaus, the title role in Gianni Schicchi, and John Proctor in Robert Ward’s The Crucible. As an oratorio soloist, Barefield’s performances have included Carmina Burana, the Fauré Requiem, The Sea Symphony, and Dona Nobis Pacem of Vaughan Williams and Handel’s Messiah. An accomplished recitalist, Robert Barefield’s wide-ranging repertoire has encompassed works such as Schubert’s Winterreise and Die Schöne Müllerin, Vaughan Williams’ Songs of Travel and premiere performances of works by contemporary composers such as Simon Sargon, Lowell Liebermann, Robert Maggio, and David Conte. Dr. Robert Barefield serves on the vocal faculty of the Hartt School, the performing arts conservatory of the University of Hartford.
Course syllabus coming soon!
IES Abroad Vienna organizes field study trips that complement what you’re learning in the classroom, and contribute to your general knowledge of Austrian culture and society.
You also have the opportunity to attend guest lectures by professional musicians.
Our job is to make sure that your greatest challenge is deciding what landmarks to see first or discovering the best café—not finding a place to live where you feel comfortable. We do our best to locate housing that is reflective of how the local students are living. Our goal is that when you leave Vienna, it will feel like home.
You live in an apartment that typically accommodates four to five students. Apartments have Internet access and fully equipped kitchen facilities. Meals are not included in the program fee.
Part of making you feel at home in Vienna is doing our best to help you feel safe and cared for. Whether it’s the orientation program that prepares you for what’s ahead, your housing that is well-located and comfortable, or the field trips that take you to places off the beaten path—we’re all about our student services. This is just one of the things we’re known for.
After arrival in Vienna, you participate in an orientation program which introduces you to the city of Vienna, the IES Abroad program, and student life in the city. During the first few days, you settle into your housing, take care of formalities, receive briefings on safety and security, and tour Vienna and the surrounding area.
A weekend field trip, a day trip, and other excursions throughout Vienna bring you to sites that figure prominently in the lives and works of featured composers. In addition, you have the opportunity to attend guest lectures by professional musicians.
IES Abroad Vienna [3]
Also known as the Palais Corbelli, the IES Abroad Vienna Center is an elegant 18th century palace in the heart of the city and is just minutes from many of the museums, theaters, and other major cultural attractions that have bestowed international fame on Vienna.
Features include:
Dr. Morten Solvik
IES Abroad Vienna Center Director
An international scholar, Dr. Solvik holds a Ph.D. in Musicology from the University of Pennsylvania and a B.A. in Music and Intellectual History from Cornell University. Born in Norway, he speaks Norwegian, German, and English fluently, and uses French as a research language.
Dr. Solvik was instrumental in setting up the IES Abroad Vienna Music Program, which he has coordinated since 1999, and has also designed and taught numerous courses in Music History. In addition to his work with IES Abroad Vienna, Dr. Solvik has served as lecturer at the Universität für Musik und darstellende Kunst (The University for Music and Fine Arts). His teaching and administrative experience is augmented by his active and productive scholarly career as an expert on Gustav Mahler.
IES Abroad Vienna Staff
Kendall Burgess, M.A.
Registrar / Assistant to the Center Director
Dr. Kent Canzoneri
Manager of Student Affairs and Facilities
Meral Kölblinger
Student Health & Safety Coordinator / Student Affairs
Apaporn Ertl
Accountant
Tobi Sigmund
Customized Programs Coordinator / Student Affairs
Dieter Strobl
Facilities Coordinator / Library Services
Helmut Summesberger
Student Housing Coordinator / Student Affairs
IES Abroad Vienna Faculty
Gabriele Amon
Studio Art
Mag. Art, University for Applied Arts in Vienna; Univ.-Lekt. University of Applied Arts, Institute for Art and Technology – dept. of Textile
Ulrike Anton
Music History
Music Performance
1er Prix - Degré Superieur (Conservatoire Hector Berlioz, Paris) ; Professional Performance Diploma (Royal Northern College of Music, Manchester); Master of Music (University of Manchester); PhD in musicology (University of Vienna/University of Music and Performing Arts, Vienna); International concert flutist
Roswitha Benesch
Art History
Doctor philosophiae, Lektorin Universität für Musik und darstellende Kunst Wien
Joelle Bouffa
Music Performance
Dilpoma in solo piano, chamber music, and vocal accompaniment at the Convervatoire royal de Liege; Coach for the Institute for Voice and Musical Theater at the University for Music and Performing Arts in Vienna
Deirdre Brenner
Music Performance
BA, Dartmouth College (USA); MMus, Royal Academy of Music (London, UK); Master's in Lied and Oratorio, Konservatorium Wien Privatuniversitaet (Vienna, Austria)
Ana Dimova
Diploma in piano at the State Music Academy Pantcho Vladigerov (Bulgaria), collaborative pianist in the String, Woodwind, and Percussion Departments of the Vienna Conservatory (Privatuniversität Wien)
Peter Fischer
International Law
Dr.juris Vienna University Dr.juris honoris causa Bratislava University Professor emeritus Vienna University Professor Bratislava School of Law
Tibor Frank
History, Cultural History
Dr. Univ., a történettudomány kandidátusa az MTA doktora; egyetemi tanár, Eötvös Loránd
Tudományegyetem, Budapest, Hungary
Michele Friedman
Music Performance
B.M., M.M., California State University; Lehrauftragte - Universität Mozarteum Salzburg; Lehrauftragte - Universität für Musik und darstellende Kunst ; Lehrende – Konservatorium Wien Privatuniversität
Peter Gerlich
Political Science
Doctor rerum politicarum, Master of Arts, Ordentlicher Professor, Institut für Politikwissenschaft, Universität Wien
Barbara Gorzynska
Music Performance
M.A. in Music Performance (violin), Academy of Music in Lodz, Poland; Adjunct, Academy of Music in Lodz; Visiting Professor, University for Music and Performing Arts in Graz
Gerold Gruber
Music Theory
PhD Musicology, University of Vienna; Univ. Doz., a.o. Univ. Prof. Musicology at the Institute for Analysis, Theory and History of Music at the University of Music and Performing Arts Vienna
Carolyn Hague
Music Performance
BM, Stetson University; MM, University of Louisville; DMA, University of Maryland at College Park; Lehrende - Konservatorium Wien Privatuniversität
Günter Haika
Literature, Culture and Gender Studies
Mag. phil., Professor University of Vienna; Wake Forest University Vienna Program
Peter Haiss
Economics
Doctor rerum oeconomia, Dozent, Wirtschaftsuniversität Wien, Karl-Franzens Universität Graz und Universität Innsbruck
Antonia Hanreich
History, Cultural History
Doctor philosophiae, University of Vienna
Freiberufliche Vortragende der
Kulturgeschichte
Monika Johnson-Schönstädt
German
Mat., Akademia-Vienna
Sprachtrainerin
Katharina Klettermayer
Public Service Internship
Mag., Social and Cultural Anthropology
University of Vienna
Doerte Kuhlmann
Art History, Architecture
Ph.D.,Bauhaus University in Weimar; professor of Architecture Theory, Gender Studies and design, Institute of Architectural Sciences,Vienna University of Technology
Géza Kállay
Literature
Ph.D., Doctor de Letteren (Leuven, 1996); professzor, Eötvös Loránd Tudományegyetem, Budapest, Hungary
Erik Leidal
Music History
B.M. in Music History, B.A. in English Literature, Rice University; M.A. in Musicology, University of North Carolina at Chapel Hill; independent international performer
Tamás Magyarics
History
Dr. Univ., Eötvös Loránd Tudományegyetem,
Budapest, Hungary
William McElheney
Music Performance
Indiana University (Bloomington); diploma in Trombone Performance from the University of Music and Performing Arts, Vienna; Vienna Philharmonic
Dardis McNamee
Journalism
Graduate of Bryn Mawr College in Music and Political Science and a doctoral candidate at the University of Vienna in Contemporary History, Editor in Chief of the English-language monthly, The Vienna Review
Monika Meyer
German
Mag., Universität Wien
Sprachtrainerin
Wolfgang Moelzer
Business, Management
PhD, University of Economics and Business Administration; Managing Partner of BKB Management
John Moraitis
Music History
Ph.D. in Musicology, University of Wisconsin-Madison; MA in Musicology, University of Georgia
Hanspeter Neuhold
International Law
Doctor iuris, Ordentlicher Professor, Institut für Völkerrecht, Universität Wien
Beatrice Ottersböck
Art History
Doctor of Philosophy, University of Pittsburgh
Freiberufliche Vortragende der Kunstgeschichte
Roman Pfefferle
Political Science
PhD, University of Vienna; post-doc researcher and lecturer at the Institute of Government at the University of Vienna
Renate Philapitsch-Aschober
German
PhD, University of Illinois, Champaign-Urbana; Sprachtrainerin
Frank Pokorn
Psychology
MSc, MA, University of Vienna; Lecturer for German Language,University of York, Psychologist, Vienna grammar school teacher
Pantelis Polychronidis
Music Performance
Doctorate of Musical Arts (DMA), University of Michigan, postgraduate work at the University for Music and the Performing Arts in Vienna in Lied Accompaniment and Chamber Music, collaborative pianist, educator and scholar as well as Visiting Scholar at the Modern Greek Program of the University of Michigan
Wolfgang Prohaska
Art History
Ph.D. University of Vienna; Curator of Italian, Flemish, French and Spanish Baroque Painting at the Kunsthistorisches Museum Vienna; Position at the University of Fine Arts in the University of Vienna
Heidi Roessler
Student Teaching Internship Coordinator
Magistra philosophiae, University of Vienna
Lehrerin, Bundesgymnasium Wien XIX
Tamás Réti
Economics
Közgazdasági és Piackutató Intézet (Kopint-Datorg),
Budapest, Hungary
Margarete Schachermeier
German, Cultural History
Akademisches Übersetzerdiplom, University of Vienna
Sprachtrainerin
Nadja Schmidt
Political Science, Interdisciplinary European Studies
Mag., University of Vienna, Mag. College of Europe in Natolin/Poland; Phd student and lecturer, Political Science, University of Vienna
Miyuki Schuessler
Music Performance
Kunitachi College of Music (Tokyo); diploma in Piano Performance from the University of Music and Performing Arts, Vienna; Lehrende – Konservatorium Wien Privatuniversität
Martin Schwarz
Business Internship Coordinator
Master of Art, University of Southern California-Los Angeles; Direktor
Martin Schwarz G.m.b.H.
Birgit Schöny
German
Mag., University of Vienna; Sprachtrainerin
Andrea Sernett
German
Dip, University of Vienna
Sprachtrainerin
Morten Solvik
Music History
Doctor of Philosophy, University of Pennsylvania,
Lektor, Universität für Musik und darstellende Kunst Wien
IES Abroad Vienna Center Director
Katalin Orbán
Communications
Ph.D. in Literatures in English at Rutgers University
Lecturer at the Institute for Art Theory and Media Studies at Eötvös Loránd University
Reinhold Stipsits
Psychology
Doctor philsophiae, Ausserordentlicher Professort, Institut für Erziehungswissenschaft, Universität Wien
Charlotte Summesberger
German
Doctor philosophiae, University of Vienna
Sprachtrainerin
Stefan Wedrac
History
Magister Philosophiae, Universität Wien
Hemma Stagl
German
Magister Phil, University of Vienna
Sprachtrainerin
Natalia Wächter
Sociology, Anthropology, Political Science
Dr. phil., Mag. rer.soc.oec, University of Vienna; senior researcher at the Institute for Advanced Studies, Vienna
Evelyn Benesch
Art History
PhD University of Vienna, Deputy Director of Bank Austria Kunstforum
Rosa Reitsamer
Sociology
PhD University of Applied Arts – Vienna, Lecturer and Researcher in the Department of Music Sociology at the University of Performing Arts - Vienna
Lisa Regan
Art History
PhD UC Berkeley, Instructor at UC Berkely and Lecturer at UC Santa Cruz
Reinhold Stipsits
Psychology
Doctor philsophiae, Ausserordentlicher Professort, Institut für Erziehungswissenschaft, Universität Wien
Hedwig Wölfl
Psychology
MSc, University of Vienna Lecturer, University of Vienna and Medical University of Vienna
Anna Ronai
Music Performance
MA, University of Music and Performing Arts, Vienna
Russell Ryan
Music Performance
DMA, University of Music and Performing Arts, Vienna; Professor of Collaborative Piano, Arizona State University
Robert Barefield
Intensive Music Performance Program
Hartt School of Music
Michael Pinkerton
Intensive Music Performance Program
Konservatorium Wien Privatuniversität
Dietmar Friesenegger
Music History
MA; PhD Candidate, Cornell University